The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Budapest Festival Orchestra

10 March 2024, 19.45-22.00

Grand Hall

Budapest Festival Orchestra

Haydn: Symphony No. 85 in B-flat major, Hob. I:85 (‘Queen’)
Mozart: Violin Concerto No. 3 in G major, K. 216
Mozart: Serenade in D major, K. 204

Marc Bouchkov (violin)
Budapest Festival Orchestra
Conductor: Gábor Takács-Nagy

 “There is an incredible amount of positive energy and vitality in both of them,” says Gábor Takács-Nagy, who has been drawn to the two composers since his childhood. The great conductor sees the two composers as spiritual medicine, and his series has been healing and curing at BFO concerts for years. This time, he conducts the Haydn Symphony, a favorite of Queen Marie Antoinette of France, followed by Mozart’s most popular violin concerto, and a serenade so long it extends to a whole concert section. The latter includes a later symphony and a violin concerto. The soloist of the program is the Belgian violinist Marc Bouchkov, who has Russian–Ukrainian ancestry and whose instrument strives to show its closeness to the human voice. “Undoubtedly: an exceptional talent”, wrote the critic of the Neue Zürcher Zeitung.

Presented by

Budapest Festival Orchestra

Tickets:

HUF 4 000, 5 300, 6 600, 9 500, 11 000, 14 700